Reading Notes: October 14th, 2024

“The animating life of Spirit brings us first into contact with the free infinity capable within its own external and determinate existence of remaining constant to the inner principle of unity, and, in the act of expression, still reflected back upon its ideal substance. To Spirit consequently is it alone permitted to impress the hall-mark of its infinity and free self-recurrence on its external expression, even though by such expression it enters the realm of narrow boundaries. At the same time we may observe that Spirit, too, is only free and infinite in so far as it truly apprehends its universality, and deliberately posits for itself and accepts those ends which are adequate to its own notion.” (Hegel, The Philosophy of Fine Art, Vol. I, 211)

“To the ordinary consciousness of everyday life the object of perception, no doubt, breaks away from mind, as though our thought stood in opposition to Nature, which receives from us a validity equal at least to the consciousness which perceives it. But in this way of looking at Nature and the conscious subject as two neighbors set over against one another in territories equally self-subsistent it is only the finite and limited mind, not that which it is as an infinite substance and in its notional truth, which is apprehended. Nature is not thus to be set over against absolute Mind, either as conjoint with a sphere of the Real of equal worth, or as an independent boundary thereto. Rather the aspect which Nature appears to hold in this respect is that which mind or spirit itself sets up, and of which it becomes the product as a Nature in which limit and boundary are themselves determining constituents. In fact, Mind in its absolute or infinite substance can only be apprehended as this free activity, which is manifested in self-development through differentiation. This object, this other, through which such differentiation proceeds, is regarded in such opposition as Nature, but as the object of intelligence it is quite as much indebted to Mind for the free gift and fulness of its own essential substance. We must therefore conceive Nature as herself containing in potency the absolute Idea. She is that Idea in apparent shape, which mind, in its synthetic power, posits as the object opposed to self. She is so far a product, a creation. The truth of Nature therefore is simply the determination by mind of its own substance, its ideality and power of determination, through a process which no doubt begins with a separation of itself into two factors which apparently negate each other, but which, by the very activity of such negation and separation, passes beyond the contradiction it implies to a unity which heals the fracture. Instead of finding ourselves opposed to a limit and a barrier we have a totality in which the parts which opposed each other are fused together by the free universality of mind. This ideality, in other words this infinite power of determination, is that which constitutes the profound notion of Mind’s subjectivity.” (Hegel, The Philosophy of Fine Art, Vol. I, 126-127)

“Mind grasps its finiteness as the negation of its own essential substance, and is aware of its infinity. And this essential truth of the finite mind is the absolute Mind or Spirit. In this form of self-consciousness mind is merely actualized as absolute negativity. The elements of finitude which it confronts is apprehended as such and annulled. In this, the highest sphere of its activity, mind becomes the object of volition. The Absolute itself becomes the object of mind. Spirit, as self-consciousness, differentiates itself as the knowing subject from the absolute Spirit as the object of knowledge. Mind in this latter sense, in contradistinction from mind which has not overcome the conditions of finite perception, may therefore be defined as a finite mind in possession of the principle of differentiation from its true object. In the higher and more speculative consideration of truth, however, it is the absolute mind itself, which, in order to unfold explicitly, the knowledge of itself, essentially becomes a principle of differentiation to itself, and thereby posits the finitude of mind, within which it becomes for itself absolute object of the knowledge of itself.” (Hegel, The Philosophy of Fine Art, Vol. I, 128-129)

“In the emotional life the Soul finds its true expression as Soul. For soul the mere juxtaposition of limbs have no real truth, and in the presence of its subjective ideality the purely spatial multiplicity of external configuration ceases to exist. Such a manifold, with its unique differentiations, its organic articulation of parts is no doubt presupposed; but when and in so far as the soul expresses itself through such in feeling the more inward unity ever-present to life asserts itself equally as the dissolution of all absolute independence between physical parts, which reveal now not merely their materia, but also that wave of animation which fuses all in their soul.” (Hegel, The Philosophy of Fine Art, Vol. I, 174-175)

“We must, indeed, think of [Experience] as having life in itself and therefore as differentiating itself from itself; but this differentiation is held within the limit of its unity, it is a separation of movements which are separated only as they are united.” (Caird, Metaphysic, 87)